Publications
ESEM CounterPoint
ESEM CounterPoint Editor: Udo Will
ESEM CounterPoint (ECP) is meant to be a special ESEM publication with only one major article - dealing with a research topic of general relevance, written on the basis of pioneer research, and ideally, though not necessarily, referring to materials presented during an ESEM meeting - to be followed by critical response essays.
The first ESEM CountPoint was published as a special edition of European Meetings In Ethnomusicology (EME).
ESEMpoint
ESEMpoint is a bulletin published twice a year to spread news among ESEM members.
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| ESEMpoint44.pdf | 934.18 KB |
| esempoint43.pdf | 380.06 KB |
| esempoint42.pdf | 364.92 KB |
| esempoint41.pdf | 946.2 KB |
| esempoint40.pdf | 328.77 KB |
| esempoint39.pdf | 375.81 KB |
European Meetings in Ethnomusicology (EME)
Chief editor of the series: Marin Marian-Balasa.
European Meetings in Ethnomusicology (EME) is a peer reviewed journal founded in 1994 by Marin Marian-Balasa, Romania, as an academic periodical treating the musical traditions and socio-cultural connections or associations with music that were formerly, or traditionally, summoned under the name of folk music (and/or musical folklore). In the first years it was called East European Meetings in Ethnomusicology. Since the 8th volume, published in 2001, the title has been shortened. In 2002 EME was officially adopted as an ESEM publication and publishes selected papers delivered at ESEM seminars. EME also hosts the ESEM CounterPoint.
A Guest Editor is nominated for each issue.
ISSN - 1582 - 5841
Information on former issues can be found under: http://eme.ong.ro/
11th volume / 2005
Special ESEM-CounterPoint Volume
Editor: Marin Marian-Balasa
Guest Editor: Udo Will
Editorial Board
Bjorn Aksdal, Rimantas Astrauskas, Martin Clayton, Ewa Dahlig-Turek, Giovanni Giuriati, Susanne Fürniss, Dan Lundberg, Marin Marian-Balasa, Rüdiger Schumacher, Britta Sweers
Target Article
Martin Clayton, Rebecca Sager, Udo Will: In Time with the Music - The Concept of Entrainment and its Significance for Ethnomusicology, 3-75
Commentaries
- Regine Allgayer-Kaufmann: Identification of the Entrainment Process by Degree Synchronization 76-78
- John Bispham: Bridging the Gaps - Music as A Biocultural Phenomenon 78-82
- Eric F. Clarke: Timers, Oscillators and Eintrainment 82-85
- Mari Riess Jones: Exploring Musical Entrainment 85-88
- Frank Kouwenhoven: Some Remarks on Music as Reorganized Time 88-93
- Edward W. Large: Nonlinear Resonance: A Musical Universal? 93-96
- Glaura Lucas: An Ethnographic Perspective of Musical Entrainment 96-100
- Marin Marian-Balasa: Intellectual Entrainment and Openness towards Subjectivity 100-105
- Jonathan G. Secora Pearl: Cognitive vs. Physical Entrainment 105-108
- Britta Sweers: Socio-Cultural Interpretation of the Case Studies / The Concept of Entrainment Applied to Western Music Cultures
- W. Luke Windsor: Analysing Coordination in Western Art Music: Lessons for Ethnomusicology? 111-115
- Nurit BenZvi: Entrainment - Expanding the Scope of Orality in Culture 115-120
Authors' Response 120
References 129
Notes on the Authors 143
12th volume / 2007
Editor: Marin Marian-Balasa
Guest Editor: Rüdiger Schumacher, Dan Lundberg
Editorial Board
Bjorn Aksdal, Martin Clayton, Ewa Dahlig-Turek, Giovanni Giuriati, Ursula Hemetek, Slawomira Jeranska-Kominek, Frank Kouwenhoven, Laura Leante, Rebecca Sager, Britta Sweers
21th ESEM - Köln (August 24-28, 2005)
A Tribute 4
The John Blacking Memorial Lecture:
Robert Günther, The Anthropology of Hearing and Listening: Preliminary Remarks to a Theory of Music Perception and Understanding 5
Hidden Voices? - European Traditions of Ethnomusicology
Udo Will, 'In the Garden of Cultural Identities Silk Flowers Quickly Grow Roots' (K.A. Appiah): On the Logic of Culture, Race and Identity in Postmodernist Discourse 18
Ursula Hemetek, Approaching Studies on Music of Minorities in European Ethnomusicology 37
Hans-Hinrich Thedens, Intonation Studies in Norwegian Folk Music Research 49
Taive Särg, Estonian Ethnomusicology and Folk Music in Forming National Image 69
Francesco Giannattasio and Giovanni Giuriati, Presence of Italy in post-world War II European Ethnomusicology 100
Gerlinde Haid, The Journal "Das deutsche Volkslied" (1899-1950) - an Ambiguous Voice from Austria 112
Britta Sweers, Ethnomusicology in Germany: Some Thoughts from the Perspective of a Musikhochschule 125
Maurice Mengel, The Age of Archives in Early Romanian Ethnomusicology (Towards a Paradigm of the Archive between 1927 and 1943) 146
22nd ESEM - Yokkmokk (September 6-10, 2006)
The John Blacking Memorial Lecture:
Beverly Diamond, The Music of Modern Indigeneity: From Identity to Alliance Studies 169Administering Musical Ethnicity - To Whom, By Whom, With What Consequences
Jan Sverre Knudsen, What Makes Ethniciy Matter? 191
Gerda Lechleitner, Intangible Heritage: A Discourse on the Performer-Researcher-Archivist Relationship
Music and Landscape: The Circumpolar Region
Susanne Ziegler, Wax Cylinder Recordings of Sami Music in the Berlin Phonogramm-Archiv 212
Ola Graff, The Relation between Sami Yoik Songs and Nature 227
Krister Stoor, As Long as the World Shall Stand: Analyzing Jonas Eriksson Steggo's Yoik to the Pite River 227
Pirkko Moisala, From Traditional Yoik (joiku) Transmission towards Formal Education 239
Erkki Pekkilä, When Folk and Elite Cultures Meet: Armas Launis's Sami Opera Aslak Hetta 255
Others
Finnish Yearbook of Ethnomusicology
Papers from the ESEM meeting in Jyväskylä 1997 have been published - with support from the Finnish Society for Ethnomusicology, Helsinki - in two volumes of the Finnish Yearbook of Ethnomusicology, Vol.10 (1998) and Vol.11 (1999). Volume copies can be ordered directly from the Finnish Society for Ethnomusicology. ISSN 0783-6821, see http://www.music.helsinki.fi/ses/main.htm
Vol.10 (1998)
Udo Will
An ethnomusicologist`s dilemma: Technology and the analysis of music.
Dan Lundberg
Welcome to Assyria - our land on the Cyber Space. Music and the Internet in the the establishment of a transnational Assyrian identity.
Chris Kemp
The development of the Moravian folk ethic, through the transplantaion of its cultural roots into the arena of contemporary western recording technology.
Irén Kertész-Wilkinson
Nurture the Nature: A preliminary study of the musical practices of two European peripatic communities.
Marko Jouste
Change and metrics in Guhtura-Niillas' luohti.
Timo Leisiö
On Euro-Siberian byrgy, or the sucked concussion reed.
Jarkko Niemi
The genres of the Nenets songs.
Vaike Sarv
Historical changes in the melodic structure of Setu laments.
Martin Boikoi
Relics of burial laments in Latvia.
Vol.11 (1999)
André-Marie Despringre
Meaning of the old and new cultural variations of a French song from Brittany Ingrid Rüütel: Some results of a computerized comparative analysis of the Balto-Finnic runotunes.
Kataliun Lázár
Shamanism and folk music as ethnosurvival factors.
Elena Pushkareva
The experience of ethnological reconstruction of Nenets shamanistic ritual on the topic "prediction of the future".